Instagram - Mary Rozzi

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I had the pleasure of spending the day with the ic

I had the pleasure of spending the day with the icon herself @parishilton - One of the coolest and nicest people I have ever photographed. Thank you Paris, for opening your home to us and for an iconic day 💕
repost#
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Living my best, not-so-simple life with @Guardian. Thank you for the iconic photoshoot and amazing interview. 💫#Sliving #LovesIt 💘🎀💅🏻👑✨
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📸 @MaryRozzi
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(Link in bio)
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#ParisTheMemoir
wearing @moschino
styling @st.raffi
makeup @glamtechstevent
hair @eduardoponcehair
post @babydoll_studio + @iconla
@gdnsaturday
editors Merope Mills, Will Dean
commissioning editor @joestonebyjoestone
cd @chrisclarkecc
ad @maggie_b_murphy
picture editors @lousiroy @kateedwa

WE HAVE DATES OPEN @circadianranch photo producti

WE HAVE DATES OPEN @circadianranch
photo production, small gathering or event
come out to the desert for a stay. This is the perfect time of year. DM us for details! 🌵

APRIL 21-26
APRIL 30 - MAY 15
MAY 22-30

Good Morning and welcome to the cover of d’art e

Good Morning and welcome to the cover of d’art et de culture de Monaco Thank you for the cover and the feature on my work! 🙏
L’ARTISTE EN COUVERTURE CE PRINTEMPS
Née à Los Angeles, Mary Rozzi vit et travaille à Pioneertown, Californie.
Photographe de mode et de célébrités, elle est aussi réalisatrice
italo-américaine installée sur la côte ouest des États-Unis.
Très tôt passionnée par la photographie et après avoir fait ses
études à la Parson School of Design de New York, Mary Rozzi
assiste des photographes qu’elle admire tels que Michael Lavine,
Satoshi Saïkusa, David La Chapelle ou encore Michel Comte,
avant de se lancer dans sa carrière de photographe de mode,
trouvant dans cette voie un mode d’expression sociétal et un
marqueur historique dans lequel elle souhaite s’inscrire.
Troublée par la représentation de la femme dans les médias
qu'elle juge loin des réalités et de l'émergence du dialogue sur
la place, l'identité et la position des femmes dans notre société,
elle décide de créer le magazine The September Issues, une
publication semestrielle engagée dans laquelle elle invite des
artistes féminines à évoquer la société d’aujourd’hui au travers
de thématiques de société, portant ainsi une voix plus féminine
que féministe et un regard sensible sur les sujets de société.
Forte de son engagement, imprégnée de ses rencontres, Mary
Rozzi saisit de manière vive les changements de paradigmes
qui bousculent intrinsèquement notre société et contribue
aux conversations identitaires en questionnant non pas
l’establishment, mais la diversité des voix/voies artistiques
positives qui s’expriment aujourd’hui sur la côte ouest
des États-Unis.
En 2021, Remèdes Galerie lui consacre sa première exposition
personnelle à Paris. Intitulée Fearless, elle présente une
sélection de ses portraits récents, à la fois poétiques et percutants. À la tête de son propre studio photo, elle dispense des masterclasses / mentorships depuis Pioneertown pour transmettre son expérience aux passionnés de photographie.
Mary Rozzi est représentée par
Remèdes Galerie
143, rue du Temple, 75003 Paris
www.remedes-galerie.com
@remedesgalerie
@samanthabarroero @de.b.emmanuelle #dartetdeculture #monaco

And we’re back! ✨ #Repost @feistmusic Huge tha

And we’re back! ✨ #Repost @feistmusic
Huge thanks to Feist and her incredible team of creatives for inviting me along into the ‘MULTITUDES’ universe.
Colby, Heather, Pamela and Sara 😘 👇
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Borrow Trouble caused some trouble in trying to finish the recording. It began as a contemplative acoustic morality tale and shape shifted itself into the sound of trouble itself. It’s a mess that holds its own logic. It’s the convincing cacophony that thoughts can be. It saws away at you until your overwhelm pops an air supply in the form of another idea, a solution that starts with accepting there’s no such thing as perfection. [Filmmaker] Mike Mills directed me deeper into the tangle, insisted I play drums “because you’re not a drummer!” and @rooseyaghmai brought the fist pumping drone of violins. Early on, when I was writing it @charlesspearin said “yah but what does borrowing trouble mean?” And I said “It’s an expression from the old days.”, which became the chorus. May as well let the song explain, like I’m doing now.

This was made in a type of ultra healthy collaboration that defies the usual credits enjoyed throughout history. Oops, raising ideals?! The collective included @colbyrichardson spinning the analogue plates that is his art form and multitudes’ing me, @heathergoodchild in an art direction/ costuming mindset, @maryrozzi directing the photography and doing this dance we’ve done for years of camera and subject, @counterglance as our intrepid producer keeping the chaos productive, @pamwiggy giving my flippable, tossable silky locks, and many others listed below. The Subjective Collective strikes again x

Borrow Trouble is out today - link in bio.

Co-directed by: @maryrozzi @colby__richardson @heather__goodchild & @feistmusic
DOP: @maryrozzi
Visual Effects & Editing: @colby__richardson
Producer: @counterglance
Hair & Makeup: @pamwiggy
Gaffer: @stuart.croll
Assistant Camera: @jasmine_deboer
Production Assistant: @cloversingsilento
Grip & Tech Support: @ianborak
Colour: @brokenyolk_dc

Here’s a shoot that’s never really been seen.

Here’s a shoot that’s never really been seen. This was a part of the preliminary proof of concept shoots for @theseptemberissues Anyone know how this was done? 😁
@hamda.kinzi
mu @kamilaforini
hair @adamgarland__

Since I’ve been in Europe this week I’m fighti

Since I’ve been in Europe this week I’m fighting with the algorithm. As an artist I’m obliged to use this platform to a showcase my work, and I’m getting used to showing it all in a tiny little tile!
Over the past 6 months since erasing my feed and starting anew, I seriously cannot figure out why sometimes I’m ghosted. WHO has decided what will be seen and what gets buried in the depths of the ether. I have followers across all the time zones. I want to be here and be present and engage in a creative discourse. I remain a generally optimistic being, but damn WTF?!?!
PS. I LOVE this image. My archive is so massive and I just found this one. So many unseen works. I LOVE MY JOB. Thank you for listening to my rant! 😂
Love, Mary ✨

Hello from rainy Paris. Happy accident camera malf

Hello from rainy Paris. Happy accident camera malfunction by my Pentax 67 ❤️

Here is a lovely outtake from a series for @thesep

Here is a lovely outtake from a series for @theseptemberissues The 3rd slide is the 3 rd image from an 8 subject series that was created with master make up artist @kateleemakeup for @theseptemberissues and @welovecoco / @chanel.beauty about transformation and the power of make up.
Together with Kate and @pamwiggy , another brilliant hairdresser and artist, we photographed actress @pom.klementieff for this series. Shot on Kodak portra 400 /pentax 67. Post @babydoll_studio
Limited Edition fine art prints available for purchase @remedesgalerie
POM KLEMENTIEFF
Los Angeles, 2018
120 x 105 cm / 47 x 41 in
5 ex

I took a mini pause on posting. Got a little crazy

I took a mini pause on posting. Got a little crazy busy, but I’m back now! Here’s a sweet polaroid of moi from the early 90’s. We used to endlessly test the light until it was perfect. Here is just a handful….I have a HUGE bin of these. So cool to see baby me as an apprentice. I was a photo assistant for about 8 years in NYC. I learned everything I know on the job. Thankful to all the epic photographers I worked for in that period. Especially- Michel Comte, David LaChapelle, Michael Lavine and Satoshi Saikusa. They gave me the tools to go out on my own. Thanks to them I can shoot any scenario at anytime with any light and am a master problem solver. ✨
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#shotonpolaroid #polaroid

Home on the range

Home on the range

@raquelallegra Spring Collection super proud to w

@raquelallegra Spring Collection
super proud to work alongside @rockyallegra and her team in creating this campaign. Spring is upon us! 🌷
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#raqelallegra #sedonalegge #spring #springfashion

I’m taking a risk and posting outside the ‘alg

I’m taking a risk and posting outside the ‘algorithm’ love this one so much and all of the collaborators who made this happen. ❤️ #fuckthealgorithm

HAPPY BIRTHDAY to my dearest friend @feistmusic I

HAPPY BIRTHDAY to my dearest friend @feistmusic I can’t believe it’s been 19 years of friendship and adventures!
LOVE YOU so much. Thank you for your trust and support and for always being there.
❤️🙌❤️
All pics by me ✨

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#feist #thereminder #listentofeist #multitudes

Happiest Birthday to one of the most brilliant peo

Happiest Birthday to one of the most brilliant people I’ve ever met on the planet. Thank you for being a mentor and a friend. You changed my life and I’m forever grateful ❤️ @moneymark
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#moneymark

I was re-editing some beauty for a new beauty clie

I was re-editing some beauty for a new beauty client and found some lovely outtakes from a shoot we did with @kateleemakeup for @theseptemberissues in collaboration with @chanel.beauty + @welovecoco
I love shooting make up , beauty and faces. By the end of the entire process, from the casting, to shoot, to post production…I know these women so well. Every pore and every beautiful imperfection ❤️. @kateleemakeup @pamwiggy You’re both legends and I’m so honored to work with you. ✨
This image features the brilliant @milliebrownworld
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#chanel #chanelbeauty #welovecoco #kateleemakeup #millie #milliebrown #theseptemberissues #theseptemberissuesmagazine #pamelaneal #pamelanealhair

Since erasing my entire feed late last year , I’

Since erasing my entire feed late last year , I’ve been taking a deeper look at my 30 year body of work. I’ve seen so many themes and similarities in how I shoot. I’ve always known I had a strong point of view, which is a fundamental part in being able to call yourself a photographer, but after hundreds of shoots and thousands of rolls of film, I continue to doubt my work. I decided to embrace that part wholly and fully because now understand that that is what it takes to be a great artist! These images are definitely up there on my list of favorite of all time. They are from a series we shot for my magazine @theseptmeberissues - first Issue, Issue 0 - about the origins of beauty - looking back and being inspired by the first use of make up in ancient Egypt. I decided to call the beauty section of the magazine
RITUAL -
any self care regime you have is essentially your daily ritual.
styling @victoriajayneadcock
mu @tizianaraimondo
hair @camden4
model @_thefrenchmonster_
@theseptemberissues

Congratulations to the amazing @violadavis on last

Congratulations to the amazing @violadavis on last nights Grammy and for achieving EGOT 💥
Photo @maryrozzi @august_image
styling @elizabethstewart1
make up @autumnmoultriebeauty
hair @jamikawilson
set @nativesilver
post @babydoll_studio
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#violadavis #egot

Today’s post is an ode to my love for working th

Today’s post is an ode to my love for working these beautiful people. @jeromecrousseau and @roxane_mesquida - we have been collaborating since 2010. I love you both so much and that my job has brought me to this lifelong friendship. It was so hard to choose 10 images for this post. @secretjcr you’re a legend!
Thank you for trusting me and my visions all these years! ❤️✨
Roxane, you are like no other. I could photograph you forever. ❤️✨

More from my archive of personal work with Parisia

More from my archive of personal work with Parisian muses Lila + Chloe. For a time, I used to drive to a forest just past the CDG airport. It’s a private place that I found on my search to be able to shoot outside. I think I frequented this place regularly for about 6-7 years. We had no money, but all the creative freedom in the world. These were certainly and most ironically the best of times. ✨

Another image from my transformative time in Paris

Another image from my transformative time in Paris. In 2000 i lost my Chinatown loft in NYC, threw my stuff in storage and thought I’d try my luck as a photographer in Paris. I didn’t speak French when I moved there and it was one of the hardest times of my life- looking back, I wouldn’t change a thing! I speak fluent French now and I lived there for 12 years. I made lifetime friends and still feel most comfortable there as well as seen and heard as an artist. This is another image from my Lila + Chloe series - when shooting nudes wasn’t taboo.
Shot on tri-x 4x5
fun little fact - shot in @andresaraiva back garden.

I’m a bit late for the algorithm today😝 but I

I’m a bit late for the algorithm today😝 but I’m posting anyway. You MIGHT see this again tomorrow if it gets buried in the deep ark depths of this platform.
During my mentorship program we talk ALOT about your favorite image that you’ve ever taken. This one definitely hits my top list. I love it more and more as the years go by.
This is from a series that I shot back in 2007 during my Paris period. I had no jobs and was seriously struggling to get by. Luckily my photography kept me going and I ended up with some of the best work and some of the proudest of my career. I spent every euro I had on my 4x5 film and processing and hours printing in the darkroom. Image making will always keep me sane! @lilarouquet @chloe__para you guys are the best thing that could have happened to me! 🙏❤️
Cool fact- this was shot in the courtyard of @andresaraiva place.

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